Peter van Agtmael/Magnum, for The New York Times
Denali Winter, Peter van Agtmael / Magnum, for The New York Times

“If you’re on foot and you choose to focus on the natural quality of the landscape, you’re completely immersed in nature; nothing else exists,” Betchkal said to the back of my head, letting me set the pace as we traipsed steadily uphill. “Then a jet will go over, and it kind of breaks that flow of consciousness, that ecstatic moment.” Meditating on our surroundings, I became a little curious how much farther we had to go. “Don’t think about that — that’s my answer,” Betchkal called ahead cheerfully. “Another answer is that I don’t know.”

Alpine Stream

Our destination was a ridge above Hines Creek, where Betchkal planned to assemble a station to collect a month’s worth of continuous acoustic data documenting an intangible, invisible and — increasingly — endangered resource: natural sound. Our mission was not only to trap the ephemeral but also to experience it ourselves, which at the moment was impossible for three reasons: 1) the chafing of our nylon outfits; 2) the chunking of our military-issue Bunny Boots on ice; and 3) planes.

These are two paragraphs excerpted from a New York Times article by Kim Tingley (3/15/2012). Read the whole article HERE.